Tuesday, November 18, 2008

NIN

The opening act started off with a gong; it might as well ended with it.  Few opening acts ever really entertain me, maybe one or two more are memorable, and whoever they were last night, well they've been forgotten already.  I must be getting old, as I appreciate shows that start as early as a school talant show (especially if there's less talant) .  Fortunately the opening act started early, and even more fortunately they ended early.

Looking at all the lighting and electronic gear on the stage, things looked like this was going to be as much of a light show as a concert.   After a not too long intermission, NIN hit the stage.  NIN is Trent, plus whoever he drags along with him on that particular tour.  For this tour, Trent employed out of work Cenobites (not cinnabites) as his guitarist and basist.  One sported a boufant/mullet, and the other looked like a long lost member of the Hair Bear Bunch.  Is Trent Pinhead in disguise?

Things really didn't get going until several songs in, and with the overly nice (this is a NIN show--where's the angst) subdued crowd, they never really got to the usual rolling boil.  Before long, the screens decended, the lights got all weird, and the brown note montage began.  Experimental music and crap share a common thread, and there's a fine line betwix the two.  All in all it was kinda cool (thus it's experimental, not crap), but I thing I needed some payote or shrooms to appreciate it fully.  The giant touch screen Ableton setup was real cool however.

Once thing finnaly got rocking, Trent and co decended back to hell.  After the requisite pause, they returned--Hellraiser II!  All in all it was a great show, mostly because I got reunited with my old posse, which was a pleasant surprise.  Getting to see the redneck hobbits, now that was a bonus.

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